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Information Box Office:
(609) 770-8311

Robert Shackleton Playhouse
405 Lafayette Street
Cape May, NJ 08204

Administrative Offices:
31 Perry Street
Cape May, NJ 08204
marketing@capemaystage.org
(609) 884-1341
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Heisenberg


By Simon Stephens
Directed by Roy Steinberg

May 22 - June 21
Wednesday-Saturday at 8:00PM
Saturday & Sunday at 3:00PM


One of the most produced plays in the U.S. in 2018, "Heisenberg", is a funny and surprising play about a chance encounter between a reserved, Irish older gentleman and a rowdy, younger woman from New Jersey who slingshots herself into his life.  

Age Guide: 16+
Please note: This performance contains strong language

May 22nd - Preview Night 
May 23rd - Official Opening with Party 
May 31st - Best-Value Night
June 9th - Pay-What-You-Wish 
(Pay-What-You Wish is only avaliable 1 hour prior to show time, at the theatre, and is a first come first serve basis.  Doors open up 1 hour before the show.  Patrons pick whatever seat is avaliable and Pay-What-You-Wish.  You must have cash or check only.  If you would like to see the show on this date and don't want to run the risk of it being sold out, you may still purchase a ticket at a regular price by calling the box office or purchasing online.)
June 14th - Cast & Crew Talk-Back


Check out this incredible tralier for Cape May Stage's production of Heisenberg!

HEISENBERG AT CAPE MAY STAGE from VINCENT ELLIS on Vimeo.




Ways to Save!
Before purchasing your ticket, consider these packages and passports to enjoy Cape May Stage in the most cost effective way:

Packages:


Opening 5 Show Package
Our 2019 Opening Night 5 Show Package allows you to enjoy the same seats for every show, admission to all five opening night performances and an invitation to each show's after party for just $223.00 (regularly $262.50).

Opening 3 Show Package
Our 2019 Opening Night 3 Show Package allows you to enjoy admission to your 3 selected opening night performances and an invitation to each show's after party for just $135.00 (regularly $157.50).

Season Passports:

Our Season Passports allow for a more flexible way to enjoy Cape May Stage. Pick the amount of shows you would like to see in the 2019 season and you can pick your performances and seats whenever you are ready.

Additional Passport Benefits:
  • Save 15% off regular ticket prices.
  • Complimentary exchanges. When plans change contact the Box Office to make quick ticket exchanges to a date that works for you with no exchange fees. 
  • Choose your seats for the 2019 season all at once or on a show by show basis.
  • Receive a subscription to "Stage Secrets" our monthly behind-the-scenes email newsletter.



Cast Biographies:


Beau Allen (Alex) has been on Broadway in Jesus Christ Superstar, Two Gentlemen Of Verona, and The Best Little Whorehouse In Texas.  He played Shredder in The Teenage Mutant Ninja Turtles, Coming Out Of Their Shells Tour at Radio City Music Hall before touring internationally.  Beau recently played Off-Broadway in the premier of a Tennessee Williams’ one act play The Recluse And His Guest, one of two one acts presented as Tennessee Williams, 1982.  Favorite roles include Applegate in Damn Yankees, Fred Graham/Petruchio in Kiss Me Kate, King Arthur in Camelot, Bert Power (opposite Larry Linville) in Send Me No Flowers, and Beauregard in Mame (Burt Reynolds Dinner Theater starring Carole Cook, Lorna Luft, and Betsy Palmer and directed by Charles Nelson Reilly).  Beau performed his one man show, Something's Coming, New Year's Eve 2015 and 2016 at Westport, Connecticut’s First Night Celebration.  Beau is thrilled to be making his Cape May Stage debut in this fascinating play.  Many thanks to fellow Tufts Grad Roy Steinberg for this opportunity.

Rita Rehn (Georgie) Broadway: Tony Award winning Nine, A Chorus Line, Royal Family, (with Rosemary Harris) Tours: Tale of the Allergist's Wife (with Valerie Harper). Off Broadway: Marsha Norman's Last Dance (with Jo Beth Williams), John Patrick Shanley's De?ance, with (Stephen Lang); Charles Busch's Our Leading Lady, The Deep Throat Sex Scandal, Call Me Waldo, Marriage Minuet, One Slight Hitch by Lewis Black, Frankie & Johnnie. NY Classical Theatre: Misalliance, Hamlet. Chicago Shakespeare: All Female Shrew. Florida Studio Theatre: Patsy in Always Patsy Cline, Sylvia, Clever Little Lies, Over the River. Dreamcatcher Theatre:  As Bees in Honey Drown (Best Actress, NJ Theatre Critics) And the World Goes Round (Best Featured Actress, NJ Theatre Critics). Premier Stages: Humbug (?rst female Scrooge), Catch Me If You Can (with Jamie Farr, Gretna Playhouse), Clifford Odet's The Big Knife (with Robert Beltran and Miguel Sandoval). Many commercials and voice work and some episodic and indie film. THANKS to Bob for helping me learn lines all these years!!

Crew Biographies:

Simon Stephens
(Playwright): Simon Stephens is an award-winning English playwright. Having taught on the Young Writers’ Programme at the Royal Court Theatre for many years, he is now an Artistic Associate at the Lyric Hammersmith. His writing is characterized as part of the in-yer-face generation and is widely performed not only in the UK but also throughout Europe, with several of his plays being premiered abroad. Along with Dennis Kelly, he is one of the most performed English-language writers in Germany.



Roy Steinberg
(Director) has directed classical and contemporary plays as well as world premieres all over the United States.  He directed Ann Jackson, Kim Hunter, and Alvin Epstein in The Madwoman of Chaillot at the Neighborhood Playhouse in New York.  As a member of Circle Repertory Company, he developed and directed The Marriage Fool with Lynn Cohen and Farley Granger.  His production of Othello played at the Intar Theatre on Theatre Row in New York and he directed Joan Copeland in a new play called Second Summer for the Colleagues Theatre Company. He was the Artistic Director of Theatre Matrix in New York and the John Michael Kohler Arts Center in Wisconsin. He has directed touring companies of bilingual productions of Moliere’s The Miser and The Bourgeois Gentleman. As a Guest Artist he has directed college students throughout our nation in plays like American BuffaloOur TownThe Importance of Being Earnest, and A Midsummer Night’s Dream. Mr. Steinberg has also produced and directed film and television including Guiding LightOne Life To LiveDays Of Our LivesForensic Files, and Scandalous Art. He has four Emmy nominations for his work. He directed Jo Beth Williams in Life In General on strike.tv, which won five Spirit Awards. At Cape May Stage, Mr. Steinberg has directed Souvenir, Moon Over Buffalo, Blithe Spirit, How to Make a Rope Swing, Say Goodnight Gracie, Social Security, Visiting Mr. Green, Proof, Class, Steel Magnolias, The Understudy, I Hate Hamlet, Boeing Boeing, Happy Days, Freud’s Last Session, The Santaland Diaries, The Woolgatherer, Mistakes Were Made, This Wonderful Life, The Search for Signs of Intelligent Life in the Universe, Dead Man’s Cell Phone, Disgraced, Buyer and Cellar, The Tale of the Allergist’s Wife, The Gin Game, Outside Mullingar, and The Ultimate Christmas Show. Most recently, for Cape May Stage’s 2018 season, Mr. Steinberg directed Chapter Two, the world premiere of The Shuck, and the East Coast premiere of An Actor’s Carol. Roy Steinberg has an MFA from the Yale School of Drama. He also functions as the Producing Artistic Director. His proudest production is his daughter, Alexa Catherine. 

Amy Hadam (Production Stage Manager) is so thrilled to be back for her fourth season! Past Cape May Stage credits include: The Whipping ManSex with StrangersBarefoot in the ParkDisgracedBuyer & CellarOne Christmas CarolBilly Bishop Goes to WarThe Tale of the Allergist's WifeThe Gin GameOutside MullingarThe Ultimate Christmas Show, Erma Bombeck: At Wit's End, Chapter Two, The Lion in Winter, The Shuck, and An Actor's Carol. She is also the Education Director here at Cape May Stage. Amy has also been the Stage Manager for Dreamcatcher Repertory Theatre (Summit, NJ) since 2013; recent credits include Continuing the ConversationWhat Stays, Things Being What They Are, and Shipwrecked! An Entertainment: The Adventures of Louis de Rougemont (As Told By Himself). Other credits include: 21: The Musical (NYC), Jekyll & Hyde and Spamalot at Surflight Theatre (Beach Haven, NJ), A Piece of My Heart and Janey Miller's World Tour at Speranza Theatre Company (Jersey City, NJ), Miss Witherspoon and The Further Adventures of Hedda Gabler at The Theater Project (Maplewood, NJ), and Talking to Westfield and At Liberty Hall at Premiere Stages (Union, NJ). Amy is a proud member of Actors' Equity Association.

Spencer Potter (Set Design) is a Professor of Design and freelance costume/set designer working between the Western and Mid-Atlantic regions. Spencer's design credits at Cape May Stage include: Ultimate Christmas Story...Abridged! Outside Mullingar, Billy Bishop Goes to WarBuyer and Cellar, The Whipping Man, The Search for Signs of Intelligent Life, Red Hot Patriot, Blithe Spirit, How to Make a Rope Swing, Erma Bombeck: At Wit's End, An Actor's Carol and assistant designer for Time Stands Still. Other design credits include: Costumes- The Roads to Home, Die Fledermaus, The Odd Couple, The 25th Annual Putnam County Spelling Bee. Scenery - Singin' in The Rain, Noises Off, And Then There Were None, Tons of Money, The Woman in Black and Steel Magnolias. In the past, Spencer has also worked as Cape May Stage's Production Manager/Technical Director and as the Resident Intern Program Coordinator. Many thanks to Roy, Marlena, Shawn, and Michael. 

Heather Crocker (Lighting Design) is a New York based lighting and projections designer and is thrilled to be returning to Cape May Stage this season. She received her MFA in Theatre Design and Technology (Lighting/Projections Design) from the University of Missouri, Kansas City in 2015. Cape May Stage lighting credits: Billy Bishop Goes to War and The Tale of the Allergist's Wife. Other lighting design credits include; Murder For Two (Lyric Stage Company of Boston), The Master Builder (Colby College, ME), Over the River and Through the Woods, West Side Story (City Theatre, ME), End Days (Voice Theatre, NY), The Nether, Kimberly Akimbo, Vigils, The Lieutenant of Inishmore (Mad Horse Theatre Company, ME), The Caucasian Chalk Circle, Almost, Maine (UMKC Theatre), Little Women (UMKC Conservatory of Opera), Number the Stars (Coterie Theatre, KC), Projections design credits include: Freedom Rider (UMKC Theatre), Ragtime, and Chess at Gallery Players in Brooklyn, NY.

Michelle A. Prudente (Sound Design) is a Los Angeles-based Stage Manager/Sound Designer and is thankful for the opportunity to come back to her home state this season at Cape May Stage. Sound Design highlights include: Polaroid Stories at the Stella Fry Theatre (Union, NJ);  the world premiere play Lost Generation at The Sherry Theatre (North Hollywood, CA) and Henrik Ibson's The Lady from the Sea at The Actors’ Studio (North Hollywood, CA). Stage Management highlights include: Hamlet, Boomerang Theatre Co. (NY, NY); Sacred Resistance, Jewish Women’s Theatre at The Braid (Santa Monica, CA); No Wake, Route 66 at VS Theatre Co. (West Coast Premiere in Los Angeles, CA). She has overseen multiple world premiere productions in Los Angeles including: More Guns the musical (The Zephyr); The Mother of Henry, The Latino Theatre Company (LATC); Cynosemma: A Ritualistic Opera, Overtone Industries (Son of Semele) and the first reading of the Saved by the Bell musical (The Kirk Douglas). Michelle holds a BA in Theatre from Kean University and is proud member of Actors’ Equity Association. 

Leah Nadolski
(Props Master / Costume Design) is happy to be working at Cape May Stage. She graduated from DeSales University in 2017 with her degree in Theatre Tech and Design with a concentration on set design and props. She also interned at the Arden theatre as the props intern. She would like to thank her family and friends for their love and support. 







Actors’ Equity Association (AEA) 
was founded in 1913 as the first of the American actors’ unions. Equity’s mission is to advance, promote, and foster the art of live theatre as an essential component of our society. Today, Equity represents more than 40,000 actors, singers, dancers, and stage managers working in hundreds of theatres across the United States. Equity members are dedicated to working in the theatre as a profession, upholding the highest artistic standards. Equity negotiates wages and working conditions and provides a wide range of benefits including health and pension plans for its members. Through its agreement with Equity, this theatre has committed to the fair treatment of the actors and stage managers employed in this production. AEA is a member of the AFL-CIO and is affiliated with FIA, an international organization of performing arts unions. For more information, visit www.actorsequity.org



Seating Chart
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